Easter Hymns

Here are the three Easter hymns that I have written, conveniently copied into one post so you can find them easily.

Easter Morning hymn
The tune is Praise my soul / Lauda anima.

Early, while the world was sleeping,
to the garden Mary came;
lost in lonely grief, still weeping
till in love you spoke her name.
Alleluia, alleluia
Nothing now can be the same.

See, the sunlight, slowly dawning
overwhelms the shades of night,
welcoming this glorious morning,
rising with the Light of Light.
Alleluia, alleluia,
Death and darkness put to flight.

Trusted as the first apostle,
Mary swiftly made her way;
bearing this, the Easter gospel
to a world in disarray.
Alleluia, alleluia,
Good news for the earth today.

Risen Jesus, come and greet us:
Speak our name, we are your own;
In your generous love you meet us:
in our lives that love is shown.
Alleluia, alleluia,
Resurrection life made known.

 

Eastertide hymn
This one is based on the various encounters that the disciples had with the risen Jesus. It is designed to mirror the Epiphany hymn, ‘Songs of thankfulness and praise’, attempting to capture the lectionary stories of the season, so you’d sing it to whatever tune you use for that.  

Life comes to an upper room,
breaking through the fear and gloom;
walls and door-locks are no bar:
Jesus meets us where we are.
Life dispels the doubt of grief
bringing hope and new belief;
touching scars – these signs of pain
bring us back to life again.

Life comes to a broken heart,
bowed by sorrow, torn apart;
in the darkness of our tears
Jesus speaks to calm our fears.
On our journey life comes home,
in this fellowship made known;
with Christ’s body we are fed:
life revealed in broken bread.

Life comes to a sunlit shore,
sharing food with friends once more;
Fresh new callings banish guilt,
hope and faith and love rebuilt.
Jesus’ vict’ry over death
brings new life with every breath,
to the world it’s freely giv’n,
reconciling earth with heav’n.

 

A song of Moses and Miriam
A metrical version of the canticle usually used at the Easter Vigil
Tune: Kingsfold (the second part of the tune should be used for the doxology)

O sing aloud to God our strength
whose glory conquers all,
His mighty power has raised us up~
While horse and rider fall.
We sing in worship, for to God
All praise and thanks belong,
Our voices raise the melody
Of our salvation’s song.

This is our God, whom we exalt
Until the world shall end;
The Lord who saved our fathers will
To us his love extend.
He did not leave us in our plight
But to the rescue came,
Our strong defender in the fight,
Jehovah is his name.

His powerful hand has been our shield
And glorious is his might,
And all the hosts of evil now
are shattered at the sight.
The breath divine that gave us life
The mighty flood sets free,
And so the water’s swirling rage
Devours our enemy.

Almighty is the power of God,
His love will never end,
He has redeemed us, set us free,
and leads us by the hand.
And now he brings us to that place
Where we may dwell secure,
The holy house of God shall be
Our haven evermore.

All glory be to God on high,
The Father, Spirit, Son,
To whom we raise the melody
Of our salvation’s song.

 

Silence

Ely Cathedral, 28th February 

As soon as you walk out of the chilly evening air through the West door,
you know that something is about to begin.
The pool of light in the Octagon draws you closer,
and you walk the length of the darkened nave,
your quiet footfalls on the stone floor.

As you approach the light,
you see that there are others sitting, waiting,
and you pause, wondering…
The air of expectation is palpable.
It’s then you notice that the lit space in front of you is not empty:
there are people standing, forty of them,
in a loose circle around the octagon,
each of them holding what look like a broadsheet newspaper.
Some kind of performance – but what?

Intrigued, you draw closer – almost afraid to come into the light,
and stop just short, taking a seat behind the nearest performer,
and you can just make out what she is holding:
it is no newspaper, it is music,
forty staves, most of them blank and empty,
with just a handful of dots floating among the top few lines,
as if they are yet to succumb to gravity.

As you sit the silence becomes so intense you can almost hear your own heartbeat.
It’s the silence of the Spirit of God sweeping over the deep,
before the universe is spoken into being.
The potential, of all that might be,
and is not yet.

You hardly dare breathe.

And then, into the silence, comes a single voice,
joined by another, and another, like an echo:
Spem in alium’ they sing to one another.
Spem in aliumall my hope on God is founded.
The Spirit moving over the face of the deep
gives breath to the dawning universe,
and it speaks its first word,
sings its first song.

The music grows.
The singer in front of you turns a page,
and the you see the notes falling further down through the lines of music,
like raindrops down a window pane.

You risk a glance around the circle of singers
– the sound has swelled and fills the space,
but still not all are singing.
On the vast sheet of music that those last few lines are still empty.
There they are – the singers who have yet to sing a note.
Are they waiting, perhaps as you were waiting, before it all began?
But watching  them, you see that their silence is active, attentive,
hanging on every pulse of every bar.
It is their silence that allows the others to be heard.
It is their silence that gives hospitality to each new voice,
each soaring phrase that belongs to another.
It is the silence of listening, the silence of generous give and take.
It is the silence of the forgotten people of God
– the women and men whose stories were never told,
and yet whose very presence has hosted the story of salvation.

As you listen to the music ebb and flow, and swell and grow,
your own silence joins the performance,
you feel your own heart start to beat in time with the collective pulse,
you breathe with the arc of each new phrase.
Your silent listening gives a voice to hope, to beauty, to the praise of God.

And so the music flows, and grows, until all forty voices sing,
each line unique, the sound intense and complex
– tiny phrases escape like tendrils of flame caught in echo,
before the music subsides a little, only to build again
into a near-cacophony of disparate voices.

Then suddenly, there’s a single beat of silence when all forty singers breathe as one.
It’s not the silence of potential, nor of generous hospitality,
but a silence that enables common purpose,
a silence that draws many voices into one voice,
the silence that says, ‘here we are, and here is God, with us:
spem in alium: my hope on God is founded’
but it is no longer my hope alone, our separate hope,
it is the hope of all humanity, and that is why we can sing – why we must sing.’
The silent breath is the silence of the Bethlehem hilltop
in the moment just before the angels sing their Gloria,
the silent breath that draws shepherds and magi alike
into the common song of all heaven touching earth.

The music goes on, the voices soar
and each new phrase flies upwards,
settling like doves in the high arches and carvings
of the lantern above you.

Amid the oscillating chords and echoes,
another sudden silence breaks the pattern,
and a startlingly different chord, as if from nowhere, takes us in a new direction,
snapping your attention from the lofty arches back to the ground.
This silence was less a gathering, a collective sigh,
and more an abrupt halt that allows the turning of a corner,
a choice, a new direction.
It is the silence of Elijah’s mountain,
the momentary retreat from the cacophony of warring factions
that lets him hear the still small voice of God speaking:
‘This is the way that you must go’ it says,
‘the way is hard, the path is new,
but take heart, and do this new thing that I am giving you’.
Without the silence, there could be no change,
no strange and striking chord,
no new revelation of God’s grace…

One final silence emerges from the sound, the longest of the three.
A long, long breath, a sigh.
It is almost the silence of Gethsemane, or even of the cross,
it is the silence into which Christ prays, ‘Thy will be done’,
the silence of obedient acceptance.
The choir breathes in: ‘Respice’ they sing,
‘respice’ – be mindful of us, O God, in our humility.
It is the silence when we take all that has gone before,
and place it into the hands of God.
It could be the silence of our own Gethsemane, our own cross.
It is the silence in which we see that we are not forsaken,
but that God is mindful of us,
and that, despite everything,
we are held.

All forty voices reach a final cadence,
and one last chord soaks slowly into the stone walls.
There should be a moment when the last sound is gone,
when one can say at last that ‘it is finished’.
But this silence speaks not of ending, but of beginning,
the anticipation palpable as before it all began.
It is the silence before applause,
before we all start to breathe and move again
and go our separate ways.

It is the silence of the first dark Easter morning,
the silence of the empty tomb,
before the resurrection was made known.
It is the silence into which God speaks your name,
and sends you from the garden, like Mary,
to share what you have heard.
It is the silence into which we speak our own Amen,
our own ‘thy will be done’ to all we’ve heard:
our excitement at creation and re-creation,
our willingness to change and grow,
our desire for the grace to listen generously and be heard joyfully.

O God, give us breath and speech,
that we might join with angels and archangels,
and echo the silent music of your praise.
Amen.

New Advent Hymn

Just too late to be of any use, here’s a new Advent hymn, to the tune of Let All Mortal Flesh Keep Silence.

Longing for a hope-filled morning,
Kingdom of the Son, draw near!
Waiting for the day soon dawning,
Light of love that casts out fear.
Dayspring, come from heav’n, in lowly birth,
Come to warm this cold, dark earth.

Sorrow through the world is sweeping,
Bitter conflict rages still,
Heaven hears its children weeping:
cost of humankind’s freewill.
Come, O Price* of Peace, in lowly birth,
Come to mend this broken earth.

Pattern of the world’s salvation,
God and human side by side.
Colour, language, creed or nation,
No more should the world divide:
Come, Emmanuel, in lowly birth,
Show how heav’n embraces earth.

*This word started off as a typo, but I quite like it, as it echoes the ‘cost’ of the previous line…  If you use the hymn, you can choose whether to use Price or Prince 🙂  And thank you to the lovely Uptonpc for suggesting that Price could stay as an option!

Making the most of your child’s baptism

baptismbook.jpgI’m delighted to say that the second edition of my booklet, Making the Most of your Child’s Baptism – a gift for all the family, will be published by SPCK on 21st January 2016.

The new edition is in a slightly larger format, with a slightly larger typeface – it’s an easy read for families, with lots of lovely pictures (the design work by SPCK’s Sarah Smith is beautiful, by the way). As in the first edition, there are excerpts from the liturgy, explanations and explorations of the words and actions, things to think about and practical ideas to try at home to help the whole family grow in faith.

This second edition is also fully revised to include the new ‘accessible language’ liturgical material published a few months ago, as well as still containing all the Common Worship ‘default’ settings.

You will be able to buy copies direct from SPCK, or from Eden, Amazon etc. Enjoy!

Christmas song for children

Here’s an easy Christmas song for children to sing – I must have written it last year and forgotten about it. I’m posting it here in case it’s useful. The tune is ‘Here we go round the mulberry bush’.

Sing of the time the angel came, the angel came, the angel came,
Sing of the time the angel came to bring the news to Mary.

Sing of the birth at Bethlehem, at Bethlehem, at Bethlehem,
Sing of the birth at Bethlehem, the baby in the manger.

Sing of shepherds from the hills, from the hills, from the hills,
Sing of the shepherds from the hills, who came to worship Jesus.

Sing of the brightly shining star, the shining star, the shining star,
Sing of the brightly shining star, that led the kings to Jesus.

Sing of the love of God on earth, God on earth, God on earth,
Sing of the love of God on earth, that brings us close to heaven.